thirteen ways of looking at a pelican (4 – 5)

by shaindel beers


4.

The young man and his friends float the river
the Fourth of July
		                 Downstream are parade
sounds    neighing of horses     marching bands 
salvos of gunfire
		         
Here, there is only the river	soft lap of water
against the inner tube

			            The peace only occasionally
interrupted by an Oh shit! when a raft scuffs a rock
gets hung up on a branch

	     Miraculously, the pelicans sit still on the rocks
inspecting from ice blue eyes on either side of long beaks

		        Their heads tilt this way and that
but otherwise they are unmoved by these creatures

the only ones larger than they who float downstream
	    The young man has the odd feeling he has never
been so close to another breathing thing

He looks into the ice blue of the pelican’s eye as he floats
	    by     thinks of the day his eye drew this much
		        attention	      Hiding under the bill of his cap

eye surrounded by magenta bruise, fidgeting to the rhythm
of fluorescent light flicker 	the professor asking

	   My God, what happened?

He recalls the feel of the lie slipping out of his mouth

	    A baseball I didn’t catch

5.

We come home with the groceries, and I see
the slow V of pelicans floating over the neighborhood
try to tell if they are tracing the river.

I’ve heard they are one of the few bird species
that fly “for fun.” I wonder what that means,
try to imagine what it must feel like

to soar on thermals for up to fifteen miles
without flapping a wing, to climb the pillows
of hot air, drop down into coolness

to gain speed. This is called dynamic soaring.
I didn’t used to be so fascinated by anything
but now, I pull out my phone, try to record them.

They are immortalized as radar blips over
my neighbors’ chimney; in the background
my dog barks, my son is excited to be allowed

to run to the porch by himself. How could anything
be so effortless? I wonder what I might miss
if I were afforded their abilities, their innate sense

of measuring air temperature through their nostrils,
of spotting a single fish from sixty feet above water—
All I can imagine missing is the grey house

with its hot pink door which I drive by every day.

thirteen ways of looking at a pelican (1 – 3)

by shaindel beers


1.

The lone pelican in the reeds
of river’s edge seemed odd.
I stopped—watched—
did nothing.

Later in the paper the story
of its broken wing,
likely caused
by flying into a wire.

That it would probably be
euthanized. When you see
a pelican alone, it usually
means something is wrong
,
said the wildlife expert.

My self-doubt that kept me
from calling. Did I cause that pelican
more hours of suffering
or gift it a few more hours
of floating in the reeds,
a little while longer to bob
in the gentle current,
the coolness of water over webbed feet?

Forgive me, pelican. I also, am always alone,
also fly too recklessly for my own good.
 

2.

When I told you about the pelican—
that I thought I should have called someone.

You said, That’s your problem. You always
doubt your instincts
.

As a woman, I’ve been taught to ignore
connections. The ones between myself

and the moon, the tides
internal and external.

The way the pelican and I
for an instant

were one.
 

3.

The pelicans sit on the rocks preening,
a section of concert violinists bowing

apricot bills against snow velvet down
of breast. I wonder if they can hear

the friction of their surfaces one against
the other. If there is a making of music

out of their bodies. I remember them
later when the photographer says,

When you touch yourself,
when your fingers skim

the hollow between throat and clavicle
you are telling the viewer, Oh, my skin

is so soft, don’t you wish you could
touch it?

the apt black of crow flight

by ted jean


Crow stumbles into
the open air
after a rough night
of bad rabbit
road kill
and concussive
ice storm
out of the east.

His yawp is forced,
at first, the usual
rehearsal of unrepentance,
that bends toward bliss
as he approaches the arc
of the frozen river.

 


“The Apt Black of Crow Flight” is from Crow Sonnets.

crow

by ted jean


Marsha throws on her jacket,
jumps the fence where it is bent

          the december field is bare

she stalks the erstwhile rye
beside the dogwood brush and hazelnut

          pheasants startle the ditches

stubble and mud require care,
to get precisely nowhere

          our girl bestrides the only stump

field Marsha: cows astonished,
the crow crowd loud with scandal

way off, the lights of Ashland
rise on the solstice

circles she back, black, to the dark house

 


“Crow” is from Crow Sonnets.

hwy 38 along the umpqua near rainrock

by ted jean


High crow and low crow
ply the light above the river,
rising and falling against the neon backdrop alder.

One seems the shadow of the other,
disjunct in their dithering
as a fish with its refraction on a riffled pond.

Are they husband and wife crow?
Where do they go?
Some farcical mission, doubtless,
as they are, after all, crows.

We are driving upriver the opposite way,
Amy staring off into the spruce shadow
and sunlight strobe, possibly deep in thought.
Or not. We will never know.

 


“Hwy 38 Along the Umpqua Near Rainrock” is from Crow Sonnets.

statement of place: ted jean

Even natives complain of the Oregon rain. Not me. The low gray sky, the sifting drizzle. I get a sense of enclosure, calm, quiet. Along a November trail, the brushy bank of dripping hazelnut and thimbleberry thrums with drowsy satisfaction. The streets of downtown Portland reflect puddled light from welcoming shops. Frogs sing in the weeds with all their little green hearts. Golf course coyote regards me urbanely over her dewy shoulder. Beyond her, the firs recede into a pewter mist. Raised in the hot, dry sun of Northern California, I have converted to a better, wet religion.

lessons from you, father

by patricia wixon


It was July when you closed the front door
carrying your fishing rod and creel, angled hat
banded with dry flies, eager to fly to the mountain
lakes. Soon you’d be edging your way out in waders
so glazed with fish oil they could stand alone.

That night you’d fight to stay alive, not burned
and broken like your copilot, but in shock as your
organs consumed each other. You told the medic
what to give each child. For me, your bamboo pole
but it had already turned to ash.

In those childhood years, you’d bring home a creel
of cutthroat and fry their pink skins crisp.
Sometimes we’d peel sheets of sunburn from your
back, work to sunset in our Victory Garden,
help save tin foil wrappers for the War.

Now I cast a fly at a glint between the rocks, hear
your lessons as I watch the shadows, feel when
a strike sends line singing, feed, wind back a steady
take up. Leaves floating on the water collapse
like ash, linger, then slip beneath the surface.