statement of place: amy miller

I did a lot of traveling in my thirties, when I was making good money and had good cat sitters. And I discovered an interesting thing: I loved pretty much every place I visited. I could see myself living almost anywhere—southern Indiana, the Ozarks, Berlin, Christchurch, Nairobi, Austin.

So I guess it’s no surprise that I love the Northwest, my home for the past ten years. I am gaga over the San Juan Islands, McKenzie Pass feels like my own personal lava bed, and I dream about Warm Springs’ strange rockpile fenceposts and the frogs singing in La Conner. I am from a family of transplants, itinerate ranch hands and train conductors and builders whose only constant was constant moving. Having grown up on two coasts and the Rockies, I always struggle with the concept of “home.” But I know what it is to love a place.

This time of year, Ashland, Oregon, makes its quick-change from summer to winter, the dry Cascade foothills to the north readying for snow and the steep, green Siskiyous to the south pulling what rain they can get into their deep carpet. And Ashland always in between, sun-snow-sun-snow-sun.

lessons from you, father

by patricia wixon


It was July when you closed the front door
carrying your fishing rod and creel, angled hat
banded with dry flies, eager to fly to the mountain
lakes. Soon you’d be edging your way out in waders
so glazed with fish oil they could stand alone.

That night you’d fight to stay alive, not burned
and broken like your copilot, but in shock as your
organs consumed each other. You told the medic
what to give each child. For me, your bamboo pole
but it had already turned to ash.

In those childhood years, you’d bring home a creel
of cutthroat and fry their pink skins crisp.
Sometimes we’d peel sheets of sunburn from your
back, work to sunset in our Victory Garden,
help save tin foil wrappers for the War.

Now I cast a fly at a glint between the rocks, hear
your lessons as I watch the shadows, feel when
a strike sends line singing, feed, wind back a steady
take up. Leaves floating on the water collapse
like ash, linger, then slip beneath the surface.